There’s an amp in this guide for all occasions, and in a variety of formats, ranging from high-powered amp heads to tube combos and super-portable pedalboard options. They’re all listed in price order to help you choose the right amplifier for your budget, and you should find something for all styles here too. That is why CrypticRock gives 68 Kill 4.5 out of 5 stars.This guide contains what we think are the best guitar amps on the market right now – and we've recognised the growing market of great pedal amp options in our selection too. Left unfettered by studio safety nets, 68 Kill honors cinematic past while offering a timeless, if perverse, take on boy meets girls.ĭestined to become a cult classic, whatever shallowness 68 Kill has is made up for in deranged narrative that is both fun and intense. Overall, Haaga offers a satisfying, twisted satire of Bonnie and Clyde meet National Lampoon. It all takes ass-end to the story, rarely interrupting and always acting to advance and poke fun at characters and plot.

Sex is everywhere, but between both literal and figurative screwing around, nudity is low-key and scarce. A healthy dose of exaggerated blood and gore highlight the action scenes, with nods to classic horror genres Torture-Porn and Survival. 68 Kill stillīeyond Comedy, the film delivers violence more than anything else. As a viewer, you cease to ask why, and as the transitions work, you surf the movie like a decadent wave of orgasm and death. It punches you in the face and makes you love it-just like Liza does to Chip. Instead, it relies on visceral reaction and rapid-fire absurdity to propel the viewer through stunned suspension of disbelief. Continuity and logic have no place in this Grindhouse film. On these levels, it succeeds brilliantly. Themes backfire, and the vicious cycle continues.ĭespite the depressing mishandling of themes, 68 Kill is a movie that pisses on semantics and demands the audience’s attention through wild action, humor, sex, violence, and gore. Nihilism and the pointless efforts of pathetically weak humanity win in the end. Even Violet, meant to redeem Chip and provide thematic resolution, is tossed aside and rendered irrelevant. Despite the effort to give legitimacy and meaning to a variety of femme fatales, the film ends up using the women as Manic Pixie Dream Girls–just a lot more psychotic. In the end, he learns to rely on himself, an empowered male. Strong female characters drive the film, flipping typical gender roles as Chip is an effeminate male both pushed around and rescued by badass women. Violet, played by Alisha Boe ( Paranormal Activity 4 2012, 13 Reasons Why series), shines as the film’s only redeeming character, who offers Chip a different choice than forced violence.Ī frenetic ride, 68 Kill touches on themes from abusive relationships to female empowerment. Sheila Vand ( Argo 2012, Whiskey Tango Foxtrot 2016) plays Monica, an emo-girl who leads a Manson-esque group of trailer trash in crimes ranging from rampant drug use to murder. Liza’s brother Dwayne, played by Sam Eidson ( Zero Charisma 2013, Arlo and Julie 2014), is a lazy creep who performs experimental surgery, Hostel-style, on girls his sister sells him. On his path of self-discovery and unceremoniously ‘growing a pair,’ he bumps into a variety of eccentric and unsavory characters. His girlfriend of six months, Liza, is an ambitious stripper and prostitute played by AnnaLynne McCord ( American Heiress series, 90210 reboot series).Īfter Liza drags Chip along to boost $68,000 dollars from a client, he finds out she makes Lizzie Borden look demure. It revolves around Matthew Gray Gubler ( Criminal Minds series, Alvin and the Chipmunks 2007) who plays Chip, a bumbling wuss who pumps septic tanks for a living and makes terrible life choices.

Produced by Snowfort Pictures and AMP International, Haaga adapted the Dark Comedy-Crime Caper screenplay based on Bryan Smith’s novel of the same name exemplifies the Grindhouse style glory in all its grotesque beauty. Winner of 2017’s SXSW ‘Midnighters’ audience award, 68 Kill finally hit theaters on Friday August 4th, 2017 via IFC Midnight. Ever wondering what a mashup of 1994’s Natural Born Killers and the series My Name Is Earl might look like? Well ,Director and Writer Trent Haaga ( Citizen Toxie: The Toxic Avenger IV 2000, Cheap Thrills 2013) accepts that challenge with his latest film 68 Kill.

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